Quaint and Historic Forts of North America — Themes and Context

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In Category - Modern Nations
Hammond, John Martin, 1886-1939 Project Gutenberg 2017 Not confirmed
Historic buildings -- United States; Fortification -- United States; Fortification -- North America Readers of public-domain and historical texts
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Edition facts

Words 79,326
Reading time 345 min
Text sections 12

The source record for Quaint and Historic Forts of North America — Themes and Context measures this digital text at 79,326 words, 5 hr 45 min estimated reading time, and 12 detected text sections.

The text analysis averages about 25.0 words per sentence, while the detected sections provide another way to judge how the source is divided.

Project Gutenberg metadata also associates the work with “Historic buildings -- United States,” connecting these edition facts with the source record’s subject description.

This editorial note examines how John Martin Hammond's 1915 survey of North American fortifications uses the opening, middle, and later excerpts to guide a first reading, focusing on his preface's framing, the West Point narrative's detail, and the closing's abrupt shift.
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by his own native gifts to the position of highest eminence in the colony.

On the 9th of January, 1745, the General Court of Massachusetts received a message from the governor that he had a communication to make to them so critical that he must swear all of the members to secrecy. Then to their astonishment he proposed that they undertake the reduction of Louisburg. They listened with respect to the governor’s suggestion and appointed a committee of two to consider the matter. The committee’s report, made in the course of several days, was unfavorable and so was the vote of the court.

Meanwhile intelligence of Governor Shirley’s proposal had leaked out despite the pledge of secrecy. It is said that a country member of the court more pious than discreet was overheard praying long and fervently for Divine guidance in the matter. The news flew through the province and public pressure compelled a reconsideration of the project. It was urged against the plan that raw militia were no match for disciplined troops behind ramparts, that the expense would be staggering and that the credit of the colony was already overstrained. The matter was put to a vote and carried by a single vote. This result is said to have been due to one of the opposition falling and breaking his leg while hurrying to the council.

The die was now cast and hesitation vanished. Shirley wrote to all of the colonies as far south as Pennsylvania, but of these only four responded: Connecticut, Rhode Island, New Hampshire and Massachusetts, which blazed with holy zeal as, since the enterprise would be directed against Roman Catholics, it was supposed that heaven would in a peculiar manner favor it. There were prayers in churches and families. New Hampshire provided 500 men, of which number Massachusetts was to pay and provide for 150; Rhode Island voted a sloop carrying fourteen cannon and twelve swivels; Connecticut promised 516 men and officers provided that Roger Wolcott should have second rank in the expedition; and Massachusetts was to provide 3000 men and the commanding officer.

This last condition was one of the hardest to fulfil, for, as Governor Wanton of Rhode Island wrote, there was not in New England “one officer of experience nor even an engineer.” The choice fell upon William Pepperell, of Kittery, Maine (then a part of Massachusetts), who though a prosperous trader had had little experience to fit him for commanding an attack upon a great fortress. Pepperell’s home is still standing at Kittery and is a substantial structure as befitted its affluent master.

There was staying at Pepperell’s house at this time the preacher Whitefield. Pepperell asked his guest for a motto for the expedition. “_Nil Desperandum Christo Duce_” was suggested; and this being adopted gave to the expedition the air of a crusade.

A novel plan was suggested, among others, to Pepperell by one of the zealots of New England. Two trustworthy men, according to this plan, were to be sent out at night before the French ramparts, one of them carrying a wooden mallet with which he was to beat upon the ground. The other was to place his ear to the ground and wherever a concealed mine would give back a hollow sound was to make a cross mark with chalk so that the New England boys would know where not to walk when they attacked the fort. The French sentry meanwhile, it was supposed, would be too confused by the unusual noise of the thumping to take any action.

Within seven weeks after Shirley issued his proclamation preparations for the expedition were complete. The force, all told, numbered about four thousand men. Transports were easily obtained in the harbor of Boston or in the towns adjoining. There was a lack of cannon of large calibre, but it was known that the French possessed cannon of large calibre, so cannon balls and supplies to fit such guns were carried along, it being foreseen that the army would capture sufficient of the French cannon to supply its needs. Of other supplies there was a sufficiency and, to overbalance the lack of any military training whatever in the officers, Governor Shirley had written a long list of instructions for the siege. These instructions, after going into such minute directions as how to make fast the windows of the Governor’s apartment at Louisburg, and outlining a complex series of military manœuvres to be undertaken after dark by men who had no idea of the country they would be in, ended with the words, “Notwithstanding the instructions you have received from me I must leave you to act, upon unforeseen emergencies, according to your best discretion.”

John Martin Hammond opens his 1915 survey, Quaint and Historic Forts of North America, with a preface that frames the work as a cross-section of military history, noting the Spanish, French, English, Dutch, and Swedish contests for the continent. He observes that the English were not great fort builders but tillers of the soil, a claim that sets up a contrast between architectural remnants and national character. The preface also mentions the mounds of the Middle West, hinting at pre-Columbian builders, though Hammond admits little is known of them. This opening establishes a tone of measured curiosity, blending historical summary with a hint of the picturesque suggested by the title's word 'quaint.'

The Preface as a Reading Roadmap

Hammond's preface does more than introduce; it primes the reader for a selective tour. He explicitly states that the book presents 'the most famous fortifications' and that this method will add interest to 'the conspicuous deeds of valor.' The reader is thus warned that the focus is on celebrated sites and dramatic episodes, not exhaustive military analysis. The preface also reveals Hammond's interpretive bent: he sees the forts as evidence of racial struggles, with the English ultimately prevailing due to 'home-building genius.' This lens colors every subsequent chapter, making the preface essential for understanding the author's choices. A first-time reader should note that Hammond is not a neutral cataloger but a storyteller with a thesis about national character.

The West Point Narrative: A Case Study in Detail

The excerpt on West Point, drawn from the book's middle, demonstrates Hammond's method at its most vivid. He recounts Benedict Arnold's treachery with novelistic specificity: the signature 'Gustavus,' the 'rambling old house' of Colonel Beverly Robinson, and the morning Arnold fled after learning of Major André's capture. Hammond includes the conjecture about Margaret Shippen's influence but hedges—'There is no evidence to finally set at rest this conjecture.' This caution is typical of the book's approach: Hammond weaves a compelling narrative but occasionally flags uncertainty. The passage also shows his reliance on dramatic turning points, such as Washington arriving 'in time to gather up the loose ends.' Readers should watch for this pattern of high-stakes storytelling balanced with scholarly restraint.

Shifts in Voice and Focus Across the Excerpts

The three excerpts reveal a notable shift in Hammond's voice. The preface is broad and declarative, making claims about entire races and centuries. The West Point section is tightly focused on a single episode, with a novelist's eye for setting and character. The closing excerpt, however, abruptly returns to the Project Gutenberg colophon, a reminder that the text we have is a digital reproduction. This juxtaposition highlights a challenge for first-time readers: the book itself is a patchwork of grand overviews and intimate vignettes. Hammond moves from the Spanish at St. Augustine to the Dutch on the Hudson without transition, assuming the reader will follow. The excerpts suggest that the book rewards those who accept its episodic structure and enjoy the detours into personal drama.

Recurring Details and Their Implications

Several details recur across the excerpts, offering clues to Hammond's priorities. He repeatedly emphasizes the physical remnants of forts—the 'ancient watch-tower' of Fort Marion, the 'substantial relics' at St. Augustine and Pensacola. This material focus aligns with the book's many illustrations (seventy-one, per the title page). He also returns to the theme of national character: the English are 'home-builders,' the Spanish 'relentless,' the French 'military.' These characterizations are broad but consistent. Another recurring element is the mention of uncertainty—about the mound-builders, about Arnold's wife's influence. Hammond does not pretend to have all answers, which lends his narrative a candid, exploratory feel. Readers should note these touchstones as they navigate the book's varied chapters.

Approaching Quaint and Historic Forts of North America as a first-time reader, it helps to treat each chapter as a self-contained essay rather than expecting a continuous argument. Hammond's strength lies in his ability to animate a single fort or event with vivid detail, as he does with West Point. His weaknesses—sweeping generalizations and abrupt transitions—are easier to accept when seen as features of an early 20th-century popular history. Let the preface set your expectations, and let the illustrations ground you in the physical places Hammond describes.

Leafing through Hammond’s forts, past his careful West Point detail, I found a strange calm in the final, drifting chapters—empires receding like tides. It recalled another kind of solitary record, a life spent within distant walls, never fully belonging. That quiet, watchful loneliness lingers in The Englishman in China During the Victorian Era, Vol. 1 (of 2) As Illustrated in the Career of Sir Rutherford Alcock, K.C.B., D.C.L., Many Years Consul and Minister — Context and Discussion, a different sort of frontier altogether.

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