Memoirs of Madame la Marquise de Montespan — Volume 2 — Text and Context
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Monsieur's Jealousy.--Diplomacy.--Discretion.--The Chevalier de Lorraine's Revenge.--The King's Suspicions.--His Indignation.--Public Version of the Matter.--The Funeral Sermon.
After six months of wedlock, Henrietta of England had become so beautiful that the King drew every one's attention to this change, as if he were not unmindful of the fact that he had given this charming person to his brother instead of reserving her for himself by marrying her.
Between cousins german attentions are permissible. The Court, however, was not slow to notice the attentions paid by the King to this young English princess, and Monsieur, wholly indifferent though he was as regarded his wife, deemed it a point of honour to appear offended thereat. Ever a slave to the laws of good breeding, the King showed much self-sacrifice in curbing this violent infatuation of his. (I was Madame's maid of honour at the time.) As he contemplated a Dutch expedition, in which the help of England would have counted for much, he resolved to send a negotiator to King Charles. The young Princess was her brother's pet; it was upon her that the King's choice fell.
She crossed the Channel under the pretext of paying a flying visit to her native country and her brother, but, in reality, it was to treat of matters of the utmost importance.
Upon her return, Monsieur, the most curious and inquisitive of mortals, importuned her in a thousand ways, seeking to discover her secret; but she was a person both faithful and discreet. Of her interview and journey he got only such news as was already published on the housetops. At such reticence he took umbrage; he grumbled, sulked, and would not speak to his wife.
The Chevalier de Lorraine, who in that illustrious and luckless household was omnipotent, insulted the Princess in the most outrageous manner. Finding such daily slights and affronts unbearable, Madame complained to the Kings of France and England, who both exiled the Chevalier.
Monsieur de Lorraine d'Armagnac, before leaving, gave instructions to Morel, one of Monsieur's kitchen officials, to poison the Princess, and this monster promptly executed the order by rubbing poison on her silver goblet.
I no longer belonged to Madame's household,--my marriage had caused a change in my duties; but ever feeling deep attachment for this adorable princess, I hastened to Saint Cloud directly news reached me of her illness. To my horror, I saw the sudden change which had come over her countenance; her horrible agony drew tears from the most callous, and approaching her I kissed her hand, in spite of her confessor, who sought to constrain her to be silent. She then repeatedly told me that she was dying from the effects of poison.
This she also told the King, whom she perceived shed tears of consternation and distress.
That evening, at Versailles, the King said to me, "If this crime is my brother's handiwork, his head shall fall on the scaffold."
When the body was opened, proof of poison was obtained, and poison of the most corrosive sort, for the stomach was eaten into in three places, and there was general inflammation.
The King summoned his brother, in order to force him to explain so heinous a crime. On perceiving his mien, Monsieur became pale and confused. Rushing upon him sword in hand, the King was for demolishing him on the spot. The captain of the guard hastened thither, and Monsieur swore by the Holy Ghost that he was guiltless of the death of his dear wife.
Leaving him a prey to remorse, if guilty he were, the King commanded him to withdraw, and then shut himself up in his closet to prepare a consolatory message to the English Court. According to the written statement, which was also published in the newspapers, Madame had been carried off by an attack of bilious colic. Five or six bribed physicians certified to that effect, and a lying set of depositions, made for mere form's sake, bore out their statements in due course.
The Abbe de Bossuet, charged to preach the funeral sermon, was apparently desirous of being as obliging as the doctors. His homily led off with such fulsome praise of Monsieur, that, from that day forward, he lost all his credit, and sensible people thereafter only looked upon him as a vile sycophant, a mere dealer in flattery and fairy-tales.
Madame Scarron.--Her Petition.--The King's Aversion to Her.--She is Presented to Madame de Montespan.--The Queen of Portugal Thinks of Engaging Her.--Madame de Montespan Keeps Her Back.--The Pension Continued.--The King's Graciousness.--Rage of Mademoiselle d'Aumale.
Madame de Montespan’s memoirs present a distinctly personal view of Louis XIV’s court, one that frequently contradicts the polished public narratives. In the opening chapter, she describes the death of Henrietta of England, claiming the princess died from poison administered by the Chevalier de Lorraine’s agent—a detail she insists she heard directly from the dying woman. This account, written by a former maid of honor turned royal favorite, positions the author as an insider with privileged knowledge, yet her version of events is not corroborated by other contemporary sources. The memoirs thus function as both a historical document and a self-serving narrative, where Montespan asserts her own importance and credibility while shaping the reader’s perception of courtly power struggles.
A Poisoned Goblet and a Confessor’s Silence
Montespan’s account of Henrietta’s death relies on sensory details meant to authenticate her story. She describes the princess’s “horrible agony” and the “sudden change” in her countenance, emphasizing that the dying woman repeatedly declared she had been poisoned. The author also notes that the princess’s confessor tried to constrain her from speaking, a detail that implies a cover-up. However, the excerpt does not reveal whether Montespan witnessed the poisoning or the aftermath firsthand; she states she arrived at Saint Cloud after hearing of the illness. This gap between her claim to insider knowledge and her actual presence raises questions about the reliability of her narrative. The episode serves as a microcosm of the memoirs’ broader tension: Montespan presents herself as a truth-teller against a backdrop of courtly deception, yet her own position as a participant in that world complicates her authority.
The King of Arda’s Embassy and a Child’s Game
In a later chapter, Montespan describes an embassy from the King of Arda (in present-day Benin), focusing on the exotic gifts and the envoys’ behavior. She notes that the Africans brought lions, a panther, and a “little blackamoor” who could not grow larger—a detail that reflects the period’s colonial attitudes. The author’s tone is amused and proprietary: she recounts how her son, the Comte de Vegin, rode “pick-a-back” on one envoy, who did not seem offended. This anecdote, while seemingly trivial, reveals Montespan’s comfort with power and her role as a hostess who can command the attention of foreign dignitaries. The envoys’ claim that missionaries told them she was the “second spouse of the King” underscores her ambiguous status—neither queen nor mere mistress—and the way her reputation preceded her even in distant lands.
An Abbey for a Child and a Dispute over Revenue
The final excerpt shows Montespan’s involvement in ecclesiastical appointments. When the wealthy Abbey of Saint Germain des Prés is given to her young son, the Comte de Vegin, the Benedictine monks complain about having a child as their abbot. The King responds by citing precedents of married, warlike abbots, dismissing the monks’ objections. Montespan does not record her own reaction, but the episode illustrates how royal favor could override ecclesiastical norms. The author’s inclusion of this detail—and the specific revenue of five hundred thousand livres—suggests her interest in the material benefits of her position. Throughout the memoirs, such concrete references to money, gifts, and land anchor her narrative in the tangible rewards of courtly life, even as she claims to be above mere self-interest.
Readers should approach these memoirs with an awareness of their dual nature: they are at once a personal vindication and a historical source, but one that must be weighed against other accounts. Montespan’s voice is vivid and self-assured, yet her silences—about her own role in the poison plot, for instance—are as telling as her declarations. The excerpts here offer a taste of her method: specific, anecdotal, and always centered on her own experience. To fully assess her reliability, one would need to compare her version of events with those of her contemporaries, such as the memoirs of the Duc de Saint-Simon or the letters of Madame de Sévigné.
Sitting with the second volume of Madame de Montespan’s memoirs, I found myself oddly reminded of a different kind of record — one where voices slip between the lines of official accounts. Her quiet, half-bitter recollections of court ceremony have a weight that lingers, much like the unspoken margins in The Great Company — A Closer Reading. It’s a strange pairing, but both feel like shadows behind grand façades.
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