The Memoirs of Count Grammont — Volume 01 — Reading Notes

(0 User reviews)   980
In Category - Modern Nations
Hamilton, Anthony, Count, 1646?-1720, Scott, Walter, 1771-1832 [Editor] Project Gutenberg 2004 Not confirmed
Gramont, Philibert, comte de, 1621-1707; Great Britain -- History -- Charles II, 1660-1685; Great Britain -- Court and courtiers -- Early works to 1800 Readers of public-domain and historical texts
Project Gutenberg digital edition en

Edition facts

Words 15,680
Reading time 69 min
Text sections 2

The catalog record for The Memoirs of Count Grammont — Volume 01 — Reading Notes provides practical reading context through 15,680 words, 1 hr 9 min estimated reading time, and 2 detected text sections.

The text analysis averages about 26.5 words per sentence, while the detected sections provide another way to judge how the source is divided.

Project Gutenberg metadata also associates the work with “Gramont, Philibert, comte de, 1621-1707,” connecting these edition facts with the source record’s subject description.

Hamilton's memoir of Grammont uses ironic first-person narration and comic detail to depict a 17th-century courtier's rebellion against ecclesiastical life, blending self-mockery with sharp social observation.
Share
Editorial Edition Score 4.5/5

Calculated from edition completeness, EPUB availability, text structure and catalogue metadata. Not a user rating.

How this score is calculated
  • Description quality20 pts
  • Title & short description10 pts
  • Source metadata20 pts
  • Text length15 pts
  • Chapters / structure15 pts
  • EPUB file integrity20 pts

Total of 100 points, scaled to a 2.5-5.0 range. Editions with an empty description or a missing EPUB file are not scored.

Edition quality

Read the Text

Hamilton was made a privy-councillor in Ireland, and had a pension of L200 a year on the Irish establishment; and was appointed governor of Limerick, in the room of Sir William King, notwithstanding he had strongly opposed the new-modelling of the army by the furious Tyrconnel. In the brief accounts which have been given of his life, it is said that he had a regiment of infantry; but, though this is very probable, there is no mention whatever of his commanding a regiment in the lists published of King James's army, which are supposed to be very accurate: he is indeed set down among the general officers. Lord Clarendon, in one of his letters to the lord-treasurer, states, "That the news of the day was, that Colonel Russell was to be lieutenant-colonel to the Duke of Ormond's regiment, and that Colonel Anthony Hamilton was to have Russell's regiment, and that Mr. Luttrell was to be lieutenant-colonel to Sir Thomas Newcomen, in the place of Anthony Hamilton." It is not known whether Anthony was present at the battle of the Boyne, or of Aughrim: his brother John was killed at the latter; and Richard, who was a lieutenant-general, led on the cavalry with uncommon gallantry and spirit at the Boyne it is to be wished that his candour and integrity had equalled his courage; but, he acted with great duplicity; and King William's contemptuous echoing back his word to him, when he declared something on his honour, is well known: He is frequently mentioned by Lord Clarendon, but by no means with the same approbation as his brother. After the total overthrow of James's affairs in Ireland, the two brothers finally quitted these kingdoms, and retired to France. Richard lived much with the Cardinal de Bouillon, who was the great protector of the Irish in France, and kept (what must have been indeed highly consolatory to many an emigrant of condition) a magnificent table, which has been recorded in the most glowing and grateful terms, by that gay companion, and celebrated lover of good cheer, Philippe de Coulanges, who occasionally mentions the "amiable Richard Hamilton" as one of the cardinal's particular intimates. Anthony, who was regarded particularly as a man of letters and elegant talents, resided almost entirely at St. Germain: solitary walks in the forest of that place occupied his leisure hours in the morning; and poetical pursuits, or agreeable society, engaged the evening: but much of his time seems to have rolled heavily along; his sister, Madame de Grammont, living more at court, or in Paris, than always suited his inclinations or his convenience. His great resource at St. Germain was the family of the Duke of Berwick (son of James II.): that nobleman appears to have been amiable in private life, and his attachment to Hamilton was steady and sincere. The Duchess of Berwick was also his friend. It is necessary to mention this lady particularly, as well as her sisters: they were the daughters of Henry Bulkeley, son to the first viscount of that name: their father had been master of the household to Charles: their mother was Lady Sophia Stewart, sister to the beautiful Duchess of Richmond, so conspicuous in the Grammont Memoirs. The sisters of the Duchess of Berwick were Charlotte, married to Lord Clare, Henrietta, and Laura. They all occupy a considerable space in Hamilton's correspondence, and the two last are the ladies so often addressed as the Mademoiselles B.; they are almost the constant subjects of Hamilton's verses; and it is recorded that he was a particular admirer of Henrietta Bulkeley; but their union would have been that of hunger and thirst, for both were very poor and very illustrious: their junction would, of course, have militated against every rule of common prudence. To the influence of this lady, particularly, we are indebted for one or two of Hamilton's agreeable novels: she had taste enough to laugh at the extravagant stories then so much in fashion, "plus arabes qu'en Arabie,"

[They were wretched imitations of some of the Persian and Arabian tales, in which everything was distorted, and rendered absurd and preposterous.]

Anthony Hamilton's Memoirs of Count Grammont opens with a first-person account that immediately establishes a voice at once self-deprecating and defiant. The Chevalier Grammont describes his youth in Gascony, where he was destined for the church but resisted Latin lessons, preferring gambling and idleness. The narrative voice is colloquial and wry, as when Grammont recalls that he was 'raised to all the dignities of the forms, without having merited them.' This tone of ironic self-awareness pervades the memoir, distinguishing it from straightforward historical chronicle.

Hamilton's editorial apparatus, including Sir Walter Scott's biographical sketch, frames the work as both a historical document and a literary performance. The excerpts reveal a text that oscillates between Grammont's boastful anecdotes and the editor's scholarly annotations, creating a layered reading experience.

The Voice of the Chevalier

Grammont's narrative voice is the most striking feature of the memoir. He speaks directly to the reader, using colloquial phrases and a tone of casual superiority. When describing his appearance at court in an abbé's cassock over riding boots and spurs, he notes that 'the Cardinal, who had a quick discernment, could not help laughing.' The humor arises from Grammont's own delight in his absurd costume, which he describes with evident pride. His diction is peppered with self-mockery: he admits to leaving college 'nearly in the same state in which I entered it,' yet frames this as a mark of his quality. This voice is not merely anecdotal; it shapes the reader's perception of Grammont as a man who navigates social hierarchies through wit and audacity.

Diction and the Art of Self-Fashioning

Hamilton's choice of words reveals Grammont's calculated self-presentation. He uses military and gaming metaphors to describe his education: 'gaming was so much in my head' and 'I soon learned all that is taught at such places, and, at the same time, I also learnt that which gives the finishing stroke to a young fellow's education, viz. all sorts of games.' The repetition of 'games' blurs the line between leisure and life skills. Grammont's description of his brother's reaction—'ready to die with laughing at my ecclesiastical habit'—shows how language is used to align the reader with the speaker's perspective. The memoir's diction thus constructs a persona that is both reckless and calculating, a courtier who turns his vices into virtues.

Dialogue as Character Revelation

The excerpts contain extended dialogue that reveals character through speech patterns. Grammont's brother addresses him as 'my little parson' and 'my little knight,' using diminutives that underscore the age and power dynamic. Grammont's reply—'I am resolved to renounce the church for the salvation of my soul, upon condition, however, that I keep my abbacy'—is a masterpiece of ironic logic, turning piety into a bargaining chip. The brother's speech is pragmatic and worldly, contrasting with Grammont's flippant cunning. These exchanges are not merely decorative; they advance the narrative of Grammont's rebellion against family expectations while showcasing his verbal dexterity. Hamilton uses dialogue to dramatize the clash between ecclesiastical duty and aristocratic ambition.

Descriptive Details and Social Milieu

Hamilton's descriptive passages ground the memoir in a specific social world. Grammont's costume—'white buskins and gilt spurs' over a cassock—is a visual emblem of his dual identity. The setting of the college of Pau and the court of Turin are sketched with minimal detail, but the focus on material objects (hair 'well curled and powdered,' the 'finest head of hair in the world') signals the importance of appearance in courtly life. The memoir also references specific games and pastimes, such as 'all sorts of games, both at cards and dice,' which serve as markers of gentility. These details are not incidental; they construct a milieu where social standing is performed through dress, speech, and leisure. Hamilton's descriptions thus function as a kind of ethnographic record of 17th-century aristocratic culture.

Readers attentive to authorial choices will find in this volume a rich study of how a memoirist shapes his own legend. Grammont's voice—at once boastful and self-aware—invites skepticism even as it charms. The editorial frame by Scott adds a layer of historical distance, reminding us that this is a constructed narrative. Approach the text as a performance: watch for the gaps between what Grammont says and what he reveals, and enjoy the verbal play of a courtier who knew that style could be a form of power.

I finished the Grammont memoirs and kept thinking how he turns rebellion into a sort of wry game—laughing at himself while watching everyone else. It reminded me of that quiet moment in History of Friedrich II of Prussia — Volume 16 — Themes and Context where power feels less like triumph and more like a tired shrug. Both lingered, oddly warm.

There are no reviews for this eBook.

0
0 out of 5 (0 User reviews )

Add a Review

Your Rating *
There are no comments for this eBook.

Reader reflection

Your personal reading reflection

Build a private reading journal entry for this title.

Your progress 0 / 10
1

Which reading stage best describes you?

2

Was reading this book enjoyable?

3

Is this a title you would suggest to others?

4

What was the reading difficulty like?

Related eBooks